COHORT 01
REFERENCE started as a pretty simple idea: what if we created a space that acted less like a typical showroom and more like a shared reference point? We imagined a place where great work could live, be seen, and spark conversation without all the usual noise around it. Something built around the people and practices we genuinely admire.
For Cohort 01, we’ve brought together a small, inaugural group of designers and makers to set the tone for what REFERENCE becomes.
AARON GETMAN-PICKERING STUDIO
MEMBERHudson Valley–based woodworker and designer Aaron Getman-Pickering draws from vernacular forms, cultural artifacts, and traditional making techniques to create sculptural furniture and lighting. His work feels archetypal yet unfamiliar, producing objects shaped as much by curiosity and material process as by function. Read More.
ELIZABETH ENGLISH
MEMBERElizabeth English approaches furniture as both object and inquiry. Drawing on a background in architecture, fabrication, art, and material culture, her Baltimore-based practice moves freely between disciplines, producing work that examines how objects are made, what they communicate, and the histories they carry. Read More.
AUSTEN / MORRIS
MEMBERAusten / Morris brings the precision of design together with the instincts of traditional craft. Founded by Dennis Turbeville, the Washington, D.C.–area studio creates restrained, highly considered furniture in solid wood, with an emphasis on proportion, joinery, utility, and the quieter details that reveal themselves over time. Read More.
CAROLINE KABLE (EVAM)
MEMBERCaroline Kable works across furniture, objects, language, and craft. Through Evam, she extends that practice into collaborations with craftspeople and manufacturing partners around the world, translating traditional processes, including woodworking, weaving, and metalwork, into distinctly contemporary furniture and lighting. Read More.
HEAVYPAPER CO.
MEMBERBaltimore maker Lawrence Moore approaches furniture through an intuitive relationship with raw material. Through Heavypaper Co., wood, metal, and other elemental materials become expressive but functional objects. His work is distinguished by a directness of construction, an appreciation for imperfection, and the visible presence of the hand. Read More.
JOMO FURNITURE
MEMBERJomo Furniture is the practice of Ethiopian American designer Jomo Tariku, whose sculptural furniture draws from the extraordinary breadth of African design. Architecture, traditional furniture, artifacts, landscape, dress, and even hairstyles become starting points for forms that expand the language and representation of contemporary design. Read More.
KOBA
MEMBERDesigned by Sam Acuff and made in Baltimore, KOBA pairs serious craft with a deliberately playful point of view. Familiar furniture archetypes are pushed somewhere stranger through exaggerated geometry, graphic gestures, unexpected details, and a productive tension between natural materials and almost cartoon-like forms. Read More.
MALCOLM MAJER
MEMBERBaltimore-based Malcolm Majer uses the language and techniques of architectural fabrication to make furniture that sits somewhere between functional object and sculpture. Carefully composed planes, unexpected geometries, metal, wood, and color disrupt familiar furniture typologies while maintaining a rigorous understanding of how things are built. Read More.
MARK MELONAS
MEMBERArtist, designer, furniture maker, and fabricator Mark Melonas has spent decades moving fluidly between materials and disciplines. His Baltimore practice is grounded in experimentation—particularly with concrete, wood, and steel—and an enduring interest in the relationship between craft, fabrication, sculpture, and useful objects. Read More.
MOTHERSHIP STUDIO
MEMBERFounded by Max McInnis in St. Paul, Mothership Studio looks to the folk craft traditions of the Upper Midwest as material for something new. Furniture, lighting, and objects embrace the evidence of human making, translating familiar regional forms and techniques into work that is warm, idiosyncratic, and distinctly contemporary. Read More.
outta luck furniture
MEMBEROutta Luck Furniture is Keaton Klaff's Baltimore-area practice devoted to handmade chairs, furniture, and housewares. Rooted in a deep fascination with chairmaking and traditional woodworking, the work pairs an earnest respect for craft with experimentation, personality, and the freedom that comes from continually learning by making. Read More.
SAM SHERMAN STUDIO
MEMBERSam Sherman designs furniture, lighting, and objects at the intersection of precise craft and material experimentation. His practice uses construction itself as a design language, allowing structure, connection, surface, and process to become expressive parts of objects that remain purposeful and quietly unexpected. Read More.
STUDIO SOUR
MEMBERChicago-based Studio Sour is the practice of Palestinian designer Adam Mansour. Its furniture reinterprets Palestinian motifs, craft traditions, and visual culture through contemporary forms—using design as a way to carry cultural memory forward while resisting the idea that heritage must remain fixed in the past. Read More.
SUPERMOON STUDIO
MEMBERBryce Moon's Portland-based Supermoon Studio makes what he calls “slow furniture”: small-batch and custom pieces shaped by material, craft, and use. Working closely with wood and other materials in relatively natural states, the studio creates expressive objects that allow their construction and inherent character to remain visible. Read More.
warren brown furniture
MEMBERWarren Brown Furniture produces handmade work from its Los Angeles studio with an emphasis on solid hardwood, proportion, and quiet refinement. Brown's restrained forms place material at the forefront, allowing grain, variation, joinery, and subtle detail to give otherwise minimal pieces their individual character. Read More.